Write secondary character with StudioVity .
Used by Industry professionals.
Click below and start creating Outline
I adore reading. It’s my one genuine escape from reality, and I desire nothing more than to become lost in fictional universes. While I like reading fiction, it may be difficult to discover anything that jumps out. That is the role of auxiliary characters! Secondary characters are people who are not necessarily the story’s protagonists but nevertheless play a significant influence in its progression. They may be likeable or loathsome, depending on how effectively you build their character. In this post, we’ll discuss techniques for creating memorable secondary characters, so that when readers reach the conclusion of your story, they’ll still be thinking about them.
Secondary characters should be noteworthy.
Your Secondary characters should be remarkable. You want them to distinguish themselves from the competition in as many ways as possible. The objective of a secondary character is to help move the plot ahead, thus it’s crucial that he or she has something unique going on in the tale, such as a past, that offers context for the reader and informs how they see the character throughout the novel.
Secondary characters also have personalities (and some of these personalities can change over time), which means they have needs that are distinct from those of the main characters but similar enough that readers will feel as if they’re gaining more from their experience when reading about them than if they were only seeing things through one person’s eyes.
Supporting cast members should have prominent features.
The supporting cast should possess notable traits. If a character is forgettable, the reader will rapidly forget about them. To make sure that your supporting characters stand out, think about what makes them different from the rest of your cast. This could be their attitude and behavior, or something about their appearance, like their height or eye color. You may also utilise conversation between various characters to demonstrate how they interact with one another; this will assist readers identify who is speaking at any particular time.
If you have trouble writing secondary characters who feel fully developed and three-dimensional, try imagining yourself as someone other than yourself when creating these types of people: If this helps you envision what it would be like if we all looked the same but had distinct personalities and behaviors than we have today, maybe our brains are not yet prepared:)
Supporting characters must have a purpose.
Supporting characters provide a purpose beyond being lovely. They have a part in the narrative and may either aid or harm the main character, depending on your intentions.
For example, if your character is an assassin with a shady past and you want them to go on a mission where they might meet someone who could help them with another hit, it makes sense for this person’s introduction to come with a reason that isn’t immediately clear. Maybe they hate guns because they were shot by one; maybe they were stabbed by one too many times; maybe their parents died from gunshot wounds inflicted by one; maybe they were kidnapped; it doesn’t matter why these two individuals know one other; all that matters is that their relationship exists due to a need.
Supporting characters might be the story's constancy.
Supporting characters may be the story’s linchpin. They are not generally the major characters, but they serve a crucial part in keeping balance and ensuring that the story does not become too complex or confusing.
For instance, if you’re writing a novel with two protagonists (a boy and a girl), it would make sense to include at least one supporting character who helps keep them both anchored in reality. This is particularly true if you’ve opted not to make any significant deviations from the source material. It is also conceivable for one of these supporting characters to become more essential than either of the protagonists; if this is the case, he/she should be treated as such from the start rather than as “just another thing.”
If this seems like something that would work for you, what do you think? Here are some suggestions: • Consider how much time has elapsed since the previous episode; what has transpired during that period? How does everyone else evolve over time? Exist any fresh developments within the events of the last month? What kinds of positive improvements do they represent? How will these modifications affect the future…
Over the course of a story, secondary characters may evolve.
Over the course of a novel, supporting characters may evolve. They may be transformed by a crisis, placed in a position where they must make a decision, or confronted with new moral quandaries. The character’s life is more than simply what occurs in their scene; it is how these events effect not just their own development but also the development of others around them.
A good supporting character should appear at crucial times of tension and then go after the crisis has been resolved; this creates an effective transition between scenes and provides required closure.
Some secondary characters must perish.
Death must be present in your work. It is one of an author’s most powerful tools, and it can be used to inspire people, create conflict between characters, and move the story forward. In fact, if a character doesn’t die at some point in their arc (which may occur in a variety of ways), you may need to re-evaluate how that character fits into the tale as a whole.
Some supporting characters must die because they provide motivation for the main characters; others must die because they provide motivation for other supporting characters; and still others must die because their deaths are essential to the progression of the plot (for example, Death of Robin in create new twist and a new unknown chapter to explore. What will be the next thing Batman will do? or he will kill joker?). And then, there are some whose only purpose is to symbolise something else, such as Death hims
Readers like companions, so provide them with exceptional ones.
Important secondary characters exist. They may remain constant throughout a novel, or they may evolve with time. How you want to write your narrative and who you want to read it are the determining factors (and what kind of reader you are).
Some ancillary characters must perish; some must be rescued by another; and others will make a last appearance right before everything goes up in flames!
Conclusion
In fantasy literature, supporting characters are extremely significant since they help define the universe and give readers a sense of who these individuals are. Dany from Game of Thrones is a wonderful example; she has a few allies, but none as integral to the plot as Jorah Mormont. Through Jorah’s loyalty, the author gave readers a reason to care about him, making him one of the most memorable characters on screen and behind the camera! You can always make your sidekicks more than just space-filler minor characters; in fact, if you give them enough depth and personality, readers will also become fond of them.
StudioVity Screenwriting and Pre-production Software
StudioVity is one of the leading screenwriting and Pre-Production software for film Industry, its features including
Screenwriting
1. Editing Tool
2. Beat Board
3. Index Card
4. Tag Notes
5. 350+ languages support
6. Comment, Share and collaborate
Pre-Production
1. Homepage Analytics
2. Task Manager
3. Call Sheet
4. Production Calander
5. Shotlist
6. IN-APP Messaging
7. Notes
8. Event Calander
