Ramya Siddamurthy

Michel Franco’s Memory is a haunting, deeply personal drama about the lingering effects of the past. With a screenplay that navigates trauma, memory, and unexpected human connection, the film unfolds as a quiet yet powerful

Todd Haynes’ May December explores memory, identity, and the blurred line between reality and performance. Written by Samy Burch, from a story by Burch and Alex Mechanik, the film examines how a scandalous past resurfaces

Landscape With Invisible Hand, written by Cory Finley and based on the book by M.T. Anderson, explores a world where Earth is under the control of an alien species. With their advanced technology and bureaucratic

The Killer, written by Andrew Kevin Walker and based on the graphic novel by MATZ, follows a solitary, cold, and methodical professional assassin. As he waits in the shadows for his next target, the killer

Jules, written by Gavin Steckler, follows Milton, a man living a quiet life in a small western Pennsylvania town. His routine is disrupted when a UFO and its extraterrestrial passenger crash-land in his backyard. Milton

The Iron Claw, written by Sean Durkin, tells the true story of the Von Erich brothers, whose rise in professional wrestling in the 1980s captured the attention of the world. Set against the backdrop of

The Holdovers, written by David Hemingson, tells the story of a cranky history teacher at a remote prep school who must stay over the holidays with a troubled student. With nowhere else to go, the

A Haunting in Venice is a gripping exploration of mystery, murder, and the eerie allure of the supernatural. Based on Agatha Christie’s novel Hallowe’en Party, this film brings Hercule Poirot back to the screen, where

Freud’s Last Session delves into one of the most intriguing intellectual confrontations in history. Based on Mark St. Germain’s play, the film brings Sigmund Freud and C.S. Lewis together for a gripping discussion about faith,